Complaining About Shows You Don't Watch, or Don't Like

The title of this post is taken from two pages on TVTropes, a site I've mentioned here before and probably will bring up many more times in the future. XD This is intended as a response to the most common criticisms of dissenters in general, which have been used quite a bit recently by fans (and even the creative team) of a certain new POTO-related stage show. This seems especially pertinent now given the tactics being employed by the show's composer who, along with his company, has sunk to new lows in order to paint everyone who opposes the musical as a loony whose opinion doesn't deserve to be taken seriously.

Ode to a Film Phantom

Robert Englund is one of my favorite horror film actors of all time. His movies, regardless of their quality compared to each other and to others in the genre, have always entertained me. Of course, he's most famous for playing Freddy Krueger in the Nightmare on Elm Street series (the most recent remake notwithstanding). It's his 1989 version of The Phantom of the Opera, however, that holds a special place in my heart.

This version of Phantom was directed by Dwight H. Little and starred Englund as Erik Destler, Jill Schoelen as Christine Day, Stephanie Lawrence as Carlotta, Alex Hyde-White as Richard, and Bill Nighy as Carlotta's lover. As the names suggest, this is not a straight-up adaptation of Leroux's novel. Rather than the Paris Opera House, this story takes place in Victorian-era London. Well, the bulk of it, anyway -- there's also a bit set in modern times with a sort of reincarnation/time-travel plot device to connect the two eras. In some ways, that aspect is similar to Bram Stoker's Francis Ford Coppola's Dracula, but in my view, the film overall seems to have more in common with John Badham's criminally underrated version of the classic vampire's story (which starred Frank Langella as the Count). Both are very different from the original novel in terms of plot, yet they evoke the mood and atmosphere of their respective books in a way that's perhaps more faithful than the vast majority of other adaptations.

"Don Juan Triumphant": The Artist's Plea

Greetings once again! This is an essay I posted on my Facebook page some time ago about Erik's Don Juan Triumphant as it was portrayed in the original novel and some of the adaptations. I've made some minor changes and corrections since that original posting in order to post it here. Again, feel free to comment and offer your own opinions or insights!